Film Zoyi Doste Morde Man – Doble Farsi فیلم زوئی دوست مرده من دوبله فارسی – Watch on FilmeFarsi
to the presence of her dead best friend from the Army—is at odds with her estranged Vietnam Veteran grandfather and her VA counselor.
Zoyi Doste Morde Man – A Darkly Humorous Dive into Love, Loss, and the Absurd
In the ever-expanding world of Iranian cinema, Zoyi Doste Morde Man (2024) arrives as a bold and surprisingly heartfelt entry in the comedy-drama genre. Blending satirical wit with genuine emotional undertones, the film takes audiences on an unexpected journey through grief, memory, and self-discovery—all while never straying too far from a chuckle.
Directed by the rising talent Mehrdad Shokri, and featuring standout performances by Leila Barazandeh, Ali Kavousi, and Farhad Ghaemi, Zoyi Doste Morde Man walks the fine line between absurdist comedy and raw emotional drama with surprising ease. The title, which translates loosely to “The Funeral of My Dead Friend,” immediately signals the film’s quirky premise—and it certainly delivers.
The plot centers on Reza, a mid-30s freelance photographer who receives shocking news: his estranged childhood friend, Zoyi, has passed away under mysterious circumstances. Reza, who hasn’t seen Zoyi in over a decade, is inexplicably chosen as the one to organize her funeral. What unfolds is an increasingly surreal chain of events, featuring old secrets, bizarre encounters with eccentric characters, and haunting flashbacks that blur the line between memory and imagination.
The brilliance of Zoyi Doste Morde Man lies in its narrative structure. It plays with time, emotions, and expectations—delivering laugh-out-loud moments even in the most somber of scenes. Think Jojo Rabbit meets The Farewell, with a distinctly Iranian twist.
Leila Barazandeh, as Zoyi (seen primarily through Reza’s fragmented memories), brings a poignant mix of mischief and melancholy. She’s the kind of character that sticks with you long after the credits roll. Her scenes, often imbued with poetic dialogue and symbolic imagery, serve as emotional anchors throughout the film.
Ali Kavousi delivers an understated yet powerful performance as Reza. His character is our guide through the chaos, and Kavousi handles the role with both comedic timing and dramatic depth. Special mention must go to Farhad Ghaemi, whose role as the quirky yet wise undertaker provides some of the movie’s most memorable lines—and moments of unexpected philosophical insight.
Director Mehrdad Shokri demonstrates a mature and confident hand, especially for a filmmaker early in his career. His vision is clear: to explore how we remember people—not as they were, but as we needed them to be. The cinematography, handled by Nima Parvaneh, uses muted color palettes during the present-day scenes and rich, saturated tones in flashbacks, effectively differentiating time while also evoking mood and emotion.
Themes of grief, nostalgia, forgiveness, and even social alienation are woven seamlessly into the narrative. The script, penned by Shokri himself, avoids clichés and leans into authenticity, offering clever dialogue and nuanced storytelling. The humor is often dry, bordering on existential, reminiscent of the works of Aki Kaurismäki or Roy Andersson.
Zoyi Doste Morde Man isn’t just another film about death—it’s about the absurdity of living in the shadow of loss. It joins a new wave of Iranian films daring to explore difficult subjects with levity and compassion. For those seeking films that straddle the emotional spectrum with artistry and insight, this is a must-watch.
To explore more Iranian comedy-dramas that break convention, be sure to check out FilmeFarsi’s curated selection here.
For further details on the film’s production and viewer ratings, you can also visit the Zoyi Doste Morde Man page on IMDb — once it becomes officially listed.
With its emotionally layered performances, inventive direction, and a script that doesn’t shy away from life’s contradictions, Zoyi Doste Morde Man is a rare gem. It captures the essence of grieving with humor and grace, asking us to laugh not at death, but in spite of it.
Whether you’re a fan of thoughtful comedies or soul-searching dramas, this film has something for you. It’s both light-hearted and profound, familiar yet refreshingly original.
Rating: ★★★★☆ (4/5)
If you’re drawn to films that explore human relationships through unexpected lenses, make sure to dive deeper into the genre by visiting FilmeFarsi’s drama collection. You never know what stories might surprise you next.