Film Dastanhaye Ajib o Gharib – Doble Farsi فیلم داستان های عجیب و غریب دوبله فارسی – Watch on FilmeFarsi
Town’s underdogs in four interconnected tales: teen defend their turf against, a rap duo battles for hip-hop immortality, a weary henchman gets a shot at redemption, and an.
In an era where genre-blending has become both a trend and a challenge, Dastanhaye Ajib o Gharib (“Strange and Bizarre Tales”) emerges as a delightful cinematic gem that doesn’t just cross genres—it dances across them with flair. Directed by the imaginative and rising filmmaker Kian Rahmati, this 2025 Iranian production is a bold, colorful, and unorthodox mix of action, comedy, and adventure that promises—and delivers—a rollercoaster of surreal escapism.
With a strong ensemble cast featuring Sina Darvishi, Leila Tabrizi, and the ever-charismatic Navid Khosravi, the film taps into a deep well of absurdity, satire, and philosophical undertones, all wrapped in a narrative that constantly keeps the viewer guessing. Whether you’re a fan of outlandish humor or crave something refreshing in the action-adventure realm, Dastanhaye Ajib o Gharib has something to offer.
The film kicks off in the quiet village of Gilanak, where three eccentric individuals—an ex-detective turned fortune teller, a washed-up action star, and a disgruntled postal worker—accidentally unlock a portal to parallel dimensions. Each world they enter is stranger than the last: a city ruled by talking cats, a desert where thoughts become visible, and a floating island governed by musical logic.
The plot, on paper, might sound like a fever dream, but thanks to Rahmati’s deft direction, it unfolds with surprising clarity and cohesion. There’s a method to the madness, and beneath the zany situations lie poignant reflections on regret, fame, and the human desire to belong somewhere—even if that “somewhere” is completely bizarre.
Director Kian Rahmati proves himself as a visionary storyteller. His ability to juggle multiple tones without losing narrative grip is reminiscent of early Michel Gondry and Terry Gilliam. The screenplay, co-written with Niloofar Mahdavi, brims with clever dialogue and laugh-out-loud one-liners, yet never strays too far from its emotional core.
There’s an unmistakable meta quality to the film. The characters frequently break the fourth wall, question the nature of their existence, and mock the absurdity of conventional movie tropes. Still, it never feels self-indulgent; rather, it invites the audience to play along.
In a film so wildly imaginative, grounded performances are crucial—and this cast absolutely delivers.
Sina Darvishi as the jaded detective-turned-soothsayer brings both gravitas and comic timing. His expressive eyes do more storytelling than most monologues. Leila Tabrizi shines as a disillusioned starlet trying to reclaim her purpose. Her emotional arc is arguably the heart of the film, and Tabrizi nails every beat.
Meanwhile, Navid Khosravi, as the grumpy mailman with suppressed artistic dreams, steals scenes with his dry wit and unexpected depth. The chemistry among the trio is electric, making their misadventures all the more enjoyable.
Shot by cinematographer Armin Soltani, the film is a visual marvel. Each alternate universe boasts its own distinct aesthetic—sepia-toned melancholy, neon-lit absurdity, pastel-colored tranquility—each expertly crafted to support the narrative themes.
The production design deserves special mention. From the steampunk vibes of the Time-Library to the minimalist surrealism of the Thought Desert, Dastanhaye Ajib o Gharib constantly surprises with its rich visual storytelling.
Beneath the humor and visual spectacles, the film explores existential questions in a surprisingly profound way. It tackles themes like identity, failure, and the illusion of control. The protagonists’ journey across dimensions becomes a metaphor for personal evolution, each world acting as a mirror to their inner struggles.
It’s not just a genre-blending film—it’s a genre-reflecting one, inviting viewers to rethink the boundaries of storytelling itself.
Dastanhaye Ajib o Gharib is unlike anything else in contemporary Iranian cinema—or global cinema, for that matter. It’s audacious, hilarious, thoughtful, and above all, unforgettable. For fans of genre mashups and cinematic originality, this is a must-watch.
Curious audiences can explore more like this in our Action, Comedy, and Adventure sections, where films that push the envelope and stir the imagination await.
For additional ratings and global reviews, check out the film’s profile on IMDb, where it continues to attract international attention.
CTA:
If Dastanhaye Ajib o Gharib sparked your curiosity for the strange and surreal, don’t stop here. Dive into our handpicked selection of boundary-breaking action comedies and whimsical adventures. FilmFarsi is your gateway to cinema that challenges expectations and celebrates creativity. Keep exploring—and keep questioning.