Film Be Man Ye Savari Bede – Doble Farsi فیلم به من یه سواری بده دوبله فارسی – Watch on FilmeFarsi
to discover she’s been kidnapped by he becomes entangled in a larger conspiracy. With hidden agendas and comedic misadventures, what awaits them at the end of their journey?
Released in 2025 and directed by the visionary Kourosh Vaziri, Be Man Ye Savari Bede is a sharp, hilariously chaotic dive into the intertwined worlds of petty crime and absurd misfortune. Combining elements of crime and comedy, this Iranian feature delivers a uniquely entertaining cinematic experience that resonates well beyond its borders. With standout performances by Poria Hashemi, Negin Rad, and Mohammad Kiani, the film is poised to become a sleeper hit both locally and internationally.
In an era where genre-blending films are capturing global audiences, Be Man Ye Savari Bede confidently drives into that sweet spot between laughter and suspense, creating an unpredictable yet deeply human story that keeps you both guessing and chuckling.
At its heart, Be Man Ye Savari Bede tells the story of Soheil (played by Poria Hashemi), a down-on-his-luck musician who finds himself inadvertently caught in the middle of a car theft ring in Tehran. When his innocent offer to give a stranger a ride spirals into a full-fledged manhunt, Soheil’s mundane life quickly transforms into a rollercoaster of bad luck, mistaken identity, and street-smart survival.
The film’s plot is tightly woven yet full of unexpected detours. The narrative flows smoothly, offering bursts of laugh-out-loud humor amidst moments of real tension. It’s a testament to Vaziri’s scriptwriting that the film balances these moods without ever tipping too far in either direction. The comedy is never forced, and the stakes—though exaggerated for effect—feel grounded in the kinds of societal pressures and absurdities that many can relate to.
Kourosh Vaziri, previously known for short films and stage productions, steps into feature filmmaking with remarkable finesse. His directorial style blends fast-paced editing with visually grounded storytelling. Vaziri uses urban Tehran not just as a backdrop but almost as a character in its own right—its winding alleys, chaotic traffic, and contrast between wealth and poverty all add depth to the narrative.
Vaziri’s control over the tone of Be Man Ye Savari Bede is what makes the movie stand out. In one scene, a tense interrogation at a police precinct is juxtaposed with a comedic montage of miscommunication—delivered in such a way that the viewer feels both the anxiety and the absurdity of the situation. This balance ensures the film appeals to fans of crime movies while also entertaining those who love a well-placed punchline.
Poria Hashemi leads the film with an incredibly relatable performance. His portrayal of Soheil—a man who only wants a quiet life but keeps getting dragged into chaos—is nuanced and deeply funny. Hashemi has a natural screen presence, shifting seamlessly from exasperation to charm.
Negin Rad as Mina, a mysterious woman with her own hidden agenda, is both enigmatic and disarmingly funny. Her chemistry with Hashemi adds emotional texture to the film. Meanwhile, Mohammad Kiani as the bumbling yet persistent detective Lieutenant Ardestani brings a comedic edge to the film’s more procedural moments.
Together, the cast creates a believable world full of eccentric yet emotionally grounded characters. Their interactions feel spontaneous, making the comedy feel organic rather than scripted.
Visually, Be Man Ye Savari Bede is both gritty and colorful. Cinematographer Leila Moradi captures Tehran in its raw beauty—dusty street corners, neon-lit snack stands, and cluttered apartments bursting with life. The use of handheld shots during chase scenes creates a sense of urgency and chaos, while slower, more composed frames are used to highlight emotional beats and comedic timing.
The soundtrack deserves a special mention as well. A mix of contemporary Persian pop and traditional instruments enhances the mood without overpowering the scenes. Composer Amir Dehghan crafts a score that feels both modern and locally rooted.
Beneath its zany surface, the film touches on deeper themes of identity, trust, and societal judgment. Soheil’s plight—a regular man mistaken for a criminal—speaks to how quickly one can become lost in the machinery of bureaucracy and prejudice. The absurd situations he finds himself in also critique the rigidity of urban systems and the unpredictability of daily life in a bustling metropolis.
This thematic richness is part of what makes the film linger in your mind long after the credits roll.
Be Man Ye Savari Bede is a refreshing, high-energy fusion of crime and comedy, bolstered by strong performances and sharp direction. It’s a film that doesn’t take itself too seriously but still manages to say something meaningful. With its heartfelt absurdity and relatable characters, it stands out as one of the most engaging Iranian films of 2025.
Whether you’re a fan of character-driven stories, city-set thrillers, or just enjoy a good laugh, Be Man Ye Savari Bede is well worth the ride.
For more on the film’s cast and user reviews, visit its IMDb page.
Looking for more films that balance edge and humor? Dive into our full collection of crime and comedy movies and find your next favorite.