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Synopsis
Tarso Va Bisharm – A Twisted Ride Through Fear and Laughter
Film Tarso Va Bisharm – Doble Farsi فیلم ترسو و بی شرم دوبله فارسی – Watch on FilmeFarsi
to save the residents of an apartment building, when a genetically engineered, blood-thirsty creature escapes into the plumbing system.
Released in 2025, Tarso Va Bisharm is a bold, genre-bending Iranian film directed by Reza Kamyabi, blending dark comedy and psychological horror in a way that is both unsettling and irresistibly entertaining. The film stars Nima Ranjbar, Mina Farrokhzad, and Armin Jalili, each delivering emotionally charged performances that give life to a story that hovers between nightmares and absurd reality.
While Iranian cinema is often known for its poetic realism, Tarso Va Bisharm confidently breaks conventions, venturing into the shadows of the human psyche while still finding room for humor and satire. It’s a film that dares to laugh in the face of fear — and invites its audience to do the same.
Plot Overview
At its core, Tarso Va Bisharm (translated loosely as Fear and Shamelessness) follows Kourosh, a timid sound engineer who moves into a decrepit Tehran apartment building to work on his latest project — a documentary about fear. As he begins recording late-night noises and interviewing his neighbors about what frightens them most, strange events start to unfold.
When he meets Leyla, a quirky theater actress who claims the building is haunted by “the spirit of embarrassment,” the film takes a surreal turn. Together, they uncover bizarre occurrences — laughter echoing from empty hallways, mirrors that distort reality, and a mysterious figure who appears in every reflection.
The line between comedy and horror blurs as the story escalates, transforming everyday fears into absurdly comic — yet deeply human — moments. By the end, Tarso Va Bisharm becomes not just a ghost story, but a commentary on social anxiety, reputation, and the Iranian obsession with appearances.
Direction and Style
Director Reza Kamyabi deserves special credit for balancing two seemingly incompatible tones. His background in theater direction is evident in the film’s exaggerated performances and tight staging, while his use of cinematic framing evokes the claustrophobic tension of horror classics.
The film’s cinematography, by Sara Daryaei, uses stark lighting contrasts — harsh fluorescent interiors against eerie, moonlit exteriors — to amplify the sense of duality. Many scenes are shot with handheld cameras, giving the audience an uneasy sense of realism, while dream sequences are filmed with a vibrant, surreal color palette reminiscent of films like Suspiria (1977).
Editing is razor-sharp, cutting between comedic dialogue and unsettling imagery in a rhythm that keeps the audience both laughing and on edge. This tonal dance is what makes Tarso Va Bisharm stand out among other recent releases in both the comedy and horror categories.
Performances
Nima Ranjbar, as Kourosh, gives a performance that is both understated and deeply relatable. His nervous energy perfectly captures the anxiety of modern urban life. You can feel his discomfort in every awkward smile and trembling hand.
Meanwhile, Mina Farrokhzad brings wit and charisma to the role of Leyla. Her unpredictable energy keeps the audience guessing whether she’s a genuine ally or a figment of Kourosh’s imagination. Their on-screen chemistry provides the film’s emotional core — a strange, awkward friendship that’s both touching and hilarious.
Supporting actors, particularly Armin Jalili as the overly polite building manager with a sinister secret, round out the cast with strong comedic timing and just the right amount of menace.
Themes and Symbolism
Beneath its absurd humor and supernatural mystery, Tarso Va Bisharm explores fear as a cultural construct. Kamyabi uses horror tropes — ghosts, mirrors, shadows — to comment on societal repression, shame, and the fear of judgment. The “spirit of embarrassment” haunting the building becomes a metaphor for how people hide their true selves behind polite façades.
The film also satirizes Iran’s obsession with appearances, exposing the hypocrisy in how individuals strive to appear perfect while concealing their flaws. By exaggerating these fears through comedy, Kamyabi manages to turn a local cultural critique into a universal human story.
Cinematography and Sound Design
Visually, the film thrives on contrast. Dark hallways illuminated by flickering lights, surreal dreamscapes bathed in red, and moments of comic relief shot in overexposed daylight — all work together to create a dynamic visual language.
Sound design is another highlight. The recurring motif of laughter — sometimes joyful, sometimes chilling — becomes a character in itself. Each echo, each whisper feels intentional, reinforcing the movie’s dual identity as both horror and parody.
Final Verdict
Tarso Va Bisharm is not your average horror-comedy — it’s an intellectual, genre-defying experience that will leave you thinking long after the credits roll. While its humor may be too dark for some viewers, those who appreciate clever storytelling and cinematic experimentation will find it refreshingly original.
In a year dominated by sequels and formulaic blockbusters, Kamyabi’s film stands out as a daring piece of Iranian cinema that combines psychological insight, visual artistry, and fearless satire.
If you’re looking for something new — a film that will make you laugh, squirm, and think all at once — Tarso Va Bisharm deserves a spot on your watchlist.
For more details on the film’s cast, crew, and ratings, you can visit its page on IMDb for updated reviews and audience reactions.
Final Thoughts
Tarso Va Bisharm is a cinematic experience that proves fear and laughter aren’t opposites — they’re two sides of the same mirror. It’s a film that’s as brave as it is bizarre, and one that will likely become a cult favorite among lovers of experimental cinema.
If you enjoyed this review, explore more Iranian comedy and horror films on FilmeFarsi.com — and dive deeper into the evolving world of modern Persian storytelling.
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