Film Khaneye Arosaki – Doble Farsi فیلم خانه عروسکی دوبله فارسی – Watch on FilmeFarsi
But when Gabby’s dollhouse, her most prized possession, ends up in the hands of an eccentric cat lady named Vera, Gabby sets off on an adventure through the real world to get the Gabby Cats back together and save the dollhouse before it’s too late.
Few animated films in recent years have managed to blend emotional depth, visual artistry, and cultural storytelling as gracefully as Khaneye Arosaki (translated loosely as The Doll’s House). Directed by acclaimed Iranian filmmaker Sara Javanmardi, this 2025 family animation takes audiences on a moving, dreamlike adventure that explores childhood memories, resilience, and the meaning of belonging.
Combining the warmth of a coming-of-age story with the visual richness of handcrafted animation, Khaneye Arosaki stands out as one of the most evocative animated films of the year—an instant classic that appeals to both children and adults alike.
At the center of Khaneye Arosaki is Niloofar, a young girl struggling to adjust to her new home after her family relocates to a quiet village following her grandmother’s passing. While unpacking, she discovers an old, broken dollhouse—an heirloom from her grandmother’s childhood. When Niloofar begins repairing the tiny structure, she unknowingly unlocks a portal to a world where toys, memories, and dreams come alive.
Inside the dollhouse, she meets Amoo Kermani, a talking wooden puppet who guides her through miniature landscapes of her family’s past. Through a series of magical yet emotional adventures, Niloofar learns about love, loss, and the invisible threads that tie generations together.
Without spoiling the ending, Khaneye Arosaki closes with one of the most touching resolutions in recent animation, where imagination and memory merge in a poetic reflection on what “home” truly means.
Director Sara Javanmardi has long been celebrated for her visually poetic storytelling in short films, but Khaneye Arosaki marks her first full-length feature—and it’s a triumph. Her direction feels intimate yet expansive, allowing every frame to breathe with emotional authenticity.
Unlike many Western animated films that rely heavily on fast pacing and exaggerated humor, Javanmardi’s approach is meditative. The pacing is deliberate, inviting viewers to feel rather than simply watch. Each shot feels lovingly crafted, reminiscent of the works of Hayao Miyazaki and Nora Twomey, but with a distinct Persian aesthetic.
The director’s choice to blend stop-motion techniques with digital animation adds a tactile texture rarely seen in contemporary films. The handcrafted feel of the dollhouse world becomes a visual metaphor for memory itself—fragile, imperfect, yet full of soul.
The voice cast delivers nuanced and heartfelt performances that elevate the story’s emotional core. Sadaf Moradi, voicing Niloofar, captures the innocence, curiosity, and quiet determination of childhood beautifully. Her tone carries the vulnerability of a child navigating grief and change without ever feeling forced or melodramatic.
Veteran actor Hamid Ramezani, as the wise yet mischievous puppet Amoo Kermani, provides warmth and humor, balancing the film’s deeper emotional themes. Supporting voices, including Parisa Shafiei as Niloofar’s mother and Navid Alizadeh as her father, ground the story in realism, giving the fantastical world of Khaneye Arosaki an emotional anchor.
Visually, Khaneye Arosaki is a feast for the eyes. The film’s art direction merges Persian folk motifs with soft watercolor backgrounds, creating a dreamy palette of blues, golds, and rose tones. Every detail—from the intricate patterns on the dollhouse walls to the subtle glimmer of dust particles in sunlight—feels intentional and immersive.
The cinematography, guided by Amir Hosseini, captures light and shadow with painterly precision. Scenes set inside the dollhouse are imbued with a nostalgic glow, contrasting the cooler, more muted tones of the “real” world outside. The visual transition between these two spaces is handled so seamlessly that audiences often forget where imagination ends and reality begins.
At its core, Khaneye Arosaki is a meditation on intergenerational connection. It reminds us that our identities are shaped not only by our memories but also by those who came before us. Themes of grief, imagination as healing, and the resilience of children give the story a universal resonance.
What makes the film especially powerful is its cultural authenticity. Through subtle references to Persian traditions, lullabies, and symbols, Khaneye Arosaki introduces international audiences to Iranian storytelling in a way that feels both personal and accessible.
For families seeking heartfelt, meaningful entertainment, this film fits perfectly within the family movie and animation categories—and even appeals to fans of adventure films who appreciate stories that balance wonder with emotional truth.
Though still new to international audiences, Khaneye Arosaki has already garnered critical praise at several regional film festivals. Many reviewers have compared its tone and style to The Secret of Kells and Spirited Away, while noting its distinct cultural identity.
According to early user reviews on IMDb, the film’s emotional storytelling and stunning visuals make it “one of the most heartfelt animated films in recent memory.”
Khaneye Arosaki is a rare gem—a visually rich, emotionally intelligent film that respects both its younger and adult viewers. With its delicate balance of fantasy and family drama, it stands as one of the finest examples of modern Iranian animation.
Whether you’re a fan of artistic world-building, heartfelt family narratives, or simply beautiful storytelling, Khaneye Arosaki deserves a place on your watchlist.
Final Rating: ★★★★★ (5/5)
If you loved Khaneye Arosaki, explore more heartwarming family and animation films that celebrate imagination, love, and adventure. Let these stories remind you—sometimes, the smallest places can hold the biggest worlds.