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Synopsis
Bad Raftar
Film Bad Raftar – Doble Farsi – فیلم بد رفتار دوبله فارسی – Watch on FilmeFarsi
who lives in a family where the main role. He grows up to be a confused youngster which ends in a very aggressive act to break with his past.
Bad Raftar (2024) – A Gritty Persian Drama That Hits Hard
In recent years, Iranian cinema has continued to prove its strength in telling emotionally resonant, socially reflective stories. Bad Raftar, a Persian-language drama released in 2024, joins this tradition with a gripping narrative that dives deep into the consequences of moral ambiguity, generational trauma, and the complexities of human relationships. Directed by Saeed Khodaverdi and featuring standout performances from Navid Rahmani, Leila Darbandi, and Arman Khosravi, Bad Raftar delivers a haunting cinematic experience that stays with you long after the credits roll.
A Story of Consequences and Redemption
Set in modern-day Tehran, Bad Raftar opens with the mysterious return of Amir (Navid Rahmani), a man recently released from prison after serving seven years for a violent altercation that spiraled out of control. With his past threatening to overshadow his attempts at reintegration, Amir seeks redemption and reconciliation—especially with his estranged sister Sahar (Leila Darbandi), who has spent years rebuilding her life in his absence.
But Tehran has changed—and so has Amir. As he struggles to find employment, navigate social judgment, and avoid falling back into his old habits, Bad Raftar paints a stark yet sensitive portrait of what it means to seek forgiveness in a society that rarely forgets. Tensions rise when Amir reconnects with his former friend and one-time accomplice, Majid (Arman Khosravi), now involved in more dangerous circles. What follows is a tense, emotionally charged journey that pits loyalty against morality, family against fate.
Strong Direction and Realistic Storytelling
Director Saeed Khodaverdi handles the story with unflinching honesty. His use of natural lighting, minimalistic set design, and documentary-style camera movements draws viewers into the gritty world of his characters. Bad Raftar doesn’t rely on melodrama or heavy exposition—instead, it lets silence, body language, and subtle glances tell the story.
The film’s pacing is deliberate, allowing each moment to breathe and resonate. Khodaverdi’s background in documentary filmmaking is evident in the way he captures the unspoken rules of Tehran’s lower-middle-class neighborhoods, where honor, shame, and survival intersect.
Performances That Cut Deep
Navid Rahmani delivers a raw and nuanced performance as Amir. His portrayal is neither overly sympathetic nor villainous—instead, Rahmani captures the inner turmoil of a man trying to redefine himself while being constantly reminded of his past. His chemistry with Leila Darbandi is particularly compelling. Darbandi brings quiet strength and vulnerability to Sahar, who embodies both the pain of the past and the hope of the future.
Arman Khosravi’s role as Majid adds an element of unpredictability to the narrative. His scenes inject a sense of danger and urgency, keeping the audience on edge.
Cinematography and Sound Design
Visually, Bad Raftar is grounded and expressive. Cinematographer Mehrdad Salari uses handheld shots and tight framing to emphasize the claustrophobia Amir feels as he tries to escape his past. The muted color palette—washed-out grays and browns—adds to the film’s somber tone, reflecting Amir’s internal state.
Sound design is equally powerful. There is minimal use of non-diegetic music, allowing everyday sounds—footsteps, traffic, the hum of appliances—to take center stage and enhance the film’s realism. When music does appear, it’s sparse, often limited to somber strings or distant echoes, heightening the emotional impact.
Themes That Resonate
The film’s title, Bad Raftar (meaning “bad behavior”), is both literal and metaphorical. It refers not just to Amir’s past actions but also to how society treats those seeking redemption. The film explores themes like systemic injustice, familial duty, and the ripple effects of violence in a way that is both timely and universal.
It also raises important questions: Can people truly change? And even if they do, will society allow them to? In an age where cancel culture and unforgiving public judgment dominate discourse, Bad Raftar feels especially relevant.
Final Verdict: A Must-Watch Persian Drama
Bad Raftar is a masterclass in restrained storytelling. It’s not flashy, and it doesn’t offer easy answers. Instead, it delivers a powerful, slow-burning narrative about the human capacity for change and the high cost of forgiveness. With stellar performances, tight direction, and a socially resonant script, this film firmly establishes Saeed Khodaverdi as a director to watch in the Iranian cinematic landscape.
For fans of international cinema, and especially those interested in drama films that explore redemption and realism, Bad Raftar is not to be missed.
If you enjoy thought-provoking Persian-language dramas, be sure to explore other titles in the genre on FilmeFarsi’s drama section.
For more details about the film and viewer ratings, check out its IMDb page for updates as soon as it’s listed.
Have you seen Bad Raftar? Let us know your thoughts, and don’t forget to explore more unforgettable stories from Iranian cinema on FilmeFarsi. Your next favorite film might be just one click away.
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