Film Hendi Dozd Javaher – Aghaz Serghat – Doble Farsi فیلم هندی دزد جواهر – آغاز سرقت دوبله فارسی – Watch on FilmeFarsi
ingenious con artist Rehan devises a diamond heist while trying to outsmart Rajan, his sadistic adversary.Review by FilmCritique | filmefarsi.com
When it comes to Iranian cinema, thrillers and action films have often taken a backseat to social dramas and arthouse productions. But every now and then, a film bursts onto the scene that shifts this balance. Dozd Javaher – Aghaz Serghat (translated loosely as The Jewel Thief – Beginning of the Heist) is exactly that kind of film — a high-stakes, pulse-pounding blend of action and suspense that not only delivers on adrenaline but also offers a surprisingly thoughtful exploration of morality, loyalty, and survival in a corrupt world.
Released in 2025 and directed by the emerging talent Reza Khosravi, Dozd Javaher – Aghaz Serghat marks a bold step in Iranian genre filmmaking. The film stars Amir Rad as Arash — a veteran thief drawn back into the underworld for one final, high-stakes heist. Alongside him are Leila Nazari as Shirin, a tech-savvy hacker with a mysterious past, and Babak Yazdanian as Nader, a former cop whose alliances shift with the winds of profit.
This action-thriller hybrid has been generating buzz not only for its slick storytelling but also for pushing stylistic boundaries that elevate it beyond the typical genre fare. With a tightly written script, edge-of-your-seat pacing, and morally complex characters, it brings a fresh voice to Iran’s evolving cinematic landscape.
At its core, Dozd Javaher – Aghaz Serghat follows a classic structure — a retired criminal is pulled in for “one last job” — but the film is anything but predictable. Arash, now working as a mechanic and trying to lead a quiet life, is blackmailed by a former associate into participating in a multi-million-dollar jewel heist targeting a luxury auction house rumored to be a front for laundering corrupt political money.
As the team forms and the plan unfolds, the film plays with timelines and perspectives, gradually revealing the hidden motives of each character. The script, penned by screenwriter Sahar Moghimi, skillfully layers tension while building sympathy for even the most morally ambiguous figures.
Reza Khosravi’s direction is both confident and nuanced. He draws on international heist-film influences — think Heat or Inside Man — but injects the story with local flavor and socio-political commentary unique to Iran. His use of tight, claustrophobic interiors contrasts beautifully with sweeping cityscape shots of Tehran by night, captured by cinematographer Mahdi Daryanavard.
The film’s action sequences are choreographed with precision, avoiding over-the-top theatrics in favor of gritty, realistic confrontations. Khosravi’s pacing is masterful; he allows just enough breathing room between set pieces for character development, then plunges the viewer back into tension with surgical timing.
Amir Rad delivers a career-defining performance as Arash — weary, cunning, and deeply conflicted. His portrayal of a man torn between his past and a fleeting chance at redemption anchors the film emotionally. Leila Nazari is a standout as Shirin, whose hacker persona masks a personal vendetta that adds emotional stakes to the narrative. Her chemistry with Rad is subtle yet potent, hinting at unresolved history and unspoken bonds.
Babak Yazdanian’s Nader brings an unpredictable energy to the film. His character operates in moral gray areas, and Yazdanian plays this ambiguity with chilling charisma. The supporting cast — including Hamed Soltani as the brutal enforcer Ramin — adds depth and dimension, making the world feel lived-in and credible.
While Dozd Javaher – Aghaz Serghat functions exceptionally well as a genre piece, it also delves into broader themes — class disparity, systemic corruption, and the blurred line between justice and vengeance. The film questions whether change is truly possible in a world rigged by powerful elites and what it means to be loyal when every institution is compromised.
Khosravi doesn’t preach, but rather embeds these questions into the characters’ dilemmas, allowing the audience to draw their own conclusions. The result is a film that resonates beyond its final frame.
The visual language of the film deserves special mention. Daryanavard’s cinematography is sharp, atmospheric, and never distracting. The color grading shifts subtly between cold blues during surveillance scenes and warm ambers in moments of personal revelation — reinforcing the duality at the film’s heart.
The soundtrack, composed by Peyman Mokhtar, blends traditional Iranian instrumentation with pulsing electronic beats, heightening tension and mood. Editing by Roya Jalali ensures the film moves briskly, with flashbacks and action moments stitched together seamlessly.
In a year that has already seen several standout international thrillers, Dozd Javaher – Aghaz Serghat stands tall as one of the best Iranian entries into the action-thriller space. It’s a film that respects its audience’s intelligence, delivers genuine excitement, and introduces a cast and crew whose future projects will surely be worth watching.
If you’re a fan of suspenseful crime dramas with heart and substance, this film belongs on your watchlist. And if you’re exploring the dynamic world of Iranian genre cinema, Dozd Javaher – Aghaz Serghat is a fantastic place to start.
For more films like this, browse our collection of action films and thrillers that capture the essence of cinematic tension and style.
You can also check out the film’s profile on IMDb for additional details and viewer ratings.
Have you seen Dozd Javaher – Aghaz Serghat? Let us know your thoughts — and don’t forget to explore more thrilling gems right here on filmefarsi.com.