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Nameyi Az Kioto

Nameyi Az Kioto

Doble FarsiDec. 06, 2023KR102 Min.NR
Your rating: 0
10 1 vote

Synopsis

Nameyi Az Kioto – A Poignant Family Drama Rooted in Memory and Tradition

Film Nameyi Az Kioto – Doble Farsi فیلم کره ای نامه ای از کیوتو دوبله فارسی – Watch on FilmeFarsi

passed away. One day, the second daughter Hye-young comes back to Busan after having continuous setbacks in Seoul. While spending time with her mom, she accidently sees a letter written in Japanese, which triggers her curiosity. She starts to ask Hwa-ja about her past life and gets to know new stories of her mother that she had never heard of.

In the ever-expanding world of international cinema, Nameyi Az Kioto (2023) stands out as a rare gem—a Persian-language drama that gracefully bridges Eastern tradition and familial introspection. Directed by acclaimed filmmaker Parviz Jamshidi and starring Sahar Dastan, Masoud Karimi, and Hiroshi Tanaka, this emotionally layered narrative invites audiences to reflect on heritage, love, and the quiet sacrifices families make for one another.

Combining elements of both drama and family cinema, Nameyi Az Kioto (“A Letter from Kyoto”) weaves a compelling story that resonates deeply with viewers of all backgrounds. With its intimate storytelling, poetic visuals, and heartwarming performances, the film cements its place among the most memorable cross-cultural dramas of the decade.


A Story Written Across Borders

At its heart, Nameyi Az Kioto is a story of discovery. When Leyla (played by Sahar Dastan), a young Iranian woman raised in Tehran, receives a mysterious letter written in Japanese, her quiet life is suddenly stirred by unanswered questions from the past. The letter, sent by a woman named Keiko living in Kyoto, hints at a forgotten connection between Leyla’s late grandmother and a family in Japan during the 1940s.

Driven by curiosity and an emotional pull she can’t ignore, Leyla embarks on a journey to Kyoto—both a literal and emotional voyage. What follows is a touching exploration of identity, intergenerational trauma, and the enduring strength of family bonds.


Direction and Cinematic Elegance

Director Parviz Jamshidi, known for his nuanced storytelling and subtle emotional landscapes, brings a meditative tone to Nameyi Az Kioto. The film is not driven by action, but rather by quiet revelations and lingering gazes. Jamshidi uses silence as a storytelling tool, allowing audiences to breathe with the characters and absorb the depth of each moment.

The pacing is deliberate yet rewarding. Much like the traditional Japanese tea ceremonies that appear throughout the film, every scene unfolds with grace, intention, and meaning.


Performances That Speak Volumes

Sahar Dastan delivers a career-defining performance as Leyla. Her portrayal is rich in emotional complexity—conveying a spectrum of emotions with mere glances or restrained expressions. She makes Leyla feel real: intelligent, vulnerable, and deeply human.

Veteran Japanese actor Hiroshi Tanaka plays Kenji, Keiko’s son, whose initial reluctance to revisit the past gradually melts into warmth as he and Leyla uncover their shared history. Masoud Karimi also shines in a smaller yet powerful role as Leyla’s father, portraying a man torn between honoring the past and protecting his daughter from it.

The chemistry among the cast is organic, helping the film strike an authentic emotional chord. These performances are not overly dramatized but grounded, subtle, and sincere—perfectly suited for the film’s contemplative tone.


Visual Storytelling and Soundscape

Cinematographer Ramin Shafagh captures the serene beauty of Kyoto with painterly precision. The contrast between Iran’s earthy desert hues and Japan’s verdant temples and cherry blossom-lined streets is both visually striking and thematically symbolic. The use of natural light, soft focus, and slow pans gives the film a dreamlike quality, reflecting Leyla’s emotional journey into the past.

The score, composed by Ayaka Morimoto, blends traditional Japanese koto melodies with Persian folk motifs. The result is a hauntingly beautiful soundtrack that underscores the film’s emotional beats without overwhelming them.


Themes That Resonate Across Cultures

Nameyi Az Kioto explores universal themes—family legacy, forgiveness, cultural intersection, and the quiet pain of secrets left unspoken. What sets it apart is how it manages to do so without ever becoming heavy-handed.

The film treats both Persian and Japanese cultures with equal reverence, highlighting not their differences but their shared human values: respect for elders, the importance of honor, and the weight of memory. It’s a timely reminder of how our identities are shaped not only by where we come from, but by the unseen threads that connect us across borders and generations.


Final Verdict

In an age dominated by fast-paced blockbusters, Nameyi Az Kioto offers a refreshing return to patient, poetic storytelling. It’s a film that asks viewers to slow down and reflect—on their own histories, on the importance of family, and on the mysterious ways in which the past can shape the present.

With its rich emotional texture, compelling performances, and cross-cultural significance, Nameyi Az Kioto deserves a spot on every serious cinephile’s watchlist. It’s a perfect fit for fans of heartfelt drama and meaningful family tales, as well as those curious about Iranian and Japanese cinematic collaboration.

For those who appreciate well-crafted family stories, be sure to explore more gems in the family and drama sections of FilmeFarsi.

You can also check out the film’s profile on IMDb for more reviews and international ratings.


Have you seen Nameyi Az Kioto? Share your thoughts in the comments, and don’t forget to browse our library of emotionally powerful family dramas at FilmeFarsi.

Original title Nameyi Az Kioto
IMDb Rating 6.4 38 votes
TMDb Rating 8.25 4 votes

Director

Kim Min-ju
Director

Cast

(1) comment

  • MortezaMay 26, 2025Reply

    فیلم قشنگی بود مرسی،لطفا سریال کره ای بیشتر بزارین. فیلم تخمی هندی نگزارین الان خود مردم هندی فیلم هندی نگاه نمی کنن.

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