
9.1
AnimationFantasy
The Boy and the Heron

Miyazaki returns with his most autobiographical film — a grief dream that trusts its audience to sit with unresolved symbols.
91%
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Miyazaki returns with his most autobiographical film — a grief dream that trusts its audience to sit with unresolved symbols.


A sequel that treats animation as a medium rather than a format, and somehow sustains its invention across 140 minutes without losing its emotional core.