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Sean Baker's Palme d'Or winner collapses a screwball comedy, a home-invasion farce, and a quiet character study into one of the most propulsive films of the decade.
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Sean Baker's Palme d'Or winner collapses a screwball comedy, a home-invasion farce, and a quiet character study into one of the most propulsive films of the decade.


Richard Gadd adapts his own life into a seven-hour stalking autopsy that is as uncomfortable as it is morally complicated.


Cord Jefferson's debut splits a sharp publishing satire and a tender family drama in half, and makes both better by refusing to choose between them.


Lanthimos weaponizes Victorian pastiche into the year's most confrontational comedy, and Emma Stone turns Bella Baxter into an instant canon performance.


A 1970s boarding-school chamber piece that turns three strangers and a Christmas break into the warmest film Payne has ever made.


Greta Gerwig smuggles a thesis on patriarchy past the world's biggest toy-marketing campaign, and somehow makes it the year's most confident studio comedy.


The second season swaps adrenaline for architecture, and the result is the best single stretch of American TV in the streaming era.


The Daniels' multiverse epic is an absurdist action comedy, a mother-daughter drama, and a tax-audit story — and every register makes the other ones sharper.